Indie Goldie Award Winners at GCLS 2024
Indie Goldie Award Winners at GCLS 2024
Indie authors had their best year ever at the 2024 Goldie Awards presented by the Golden Crown Literary Society at their annual conference which was held this year in Saint Paul, Minnesota.
Books eligible for consideration for 2024 Goldies had to be published in 2023 and submitted for consideration by established deadlines.
Historically, indies have submitted dozens of books each year and have had some success becoming finalists. Wins were considerably harder to come by. We can talk about all sorts of reasons why that may be, but this year was different with lots of wins.
Let’s talk about the books!
Nominees and Goldie Winners
I intended to write this post a couple of weeks ago. I’d annotated my program throughout the awards ceremony in mid-July. When I got home from Minnesota, I sat down, researched (because no longer do I know everybody), and made a handwritten list of all the indie winning books, and their authors. I can’t find the list. I have kids who won’t stay out of my office, so… yeah.
I went back through my program and created the list again. Here are your winning indie books, by genre or category:
Audiobook Narrator: There were a lot of entries and 12 finalists. There were 5 overall winners, and indie produced audiobooks were 3 of those. The top winner in the category, who narrated an indie book, received a Goldie and a $1,000 monetary award.
- Abby Craden narrating Jen Lyon’s book, Caught Sleeping: Book 2 – The Senator’s Wife – Abby won the $1,000 monetary award for the category
- Angela Dawe narrating Emily Banting’s book, Broken Beyond Repair
- Juanita McMahon narrating E.V. Bancroft’s book, Warm Pearls and Paper Cranes
Fiction Anthologies/Collections: There were two finalists. One was indie.
- The Beginning of Goodbye by Lark Sullivan – Won the $1,000 monetary award for the category
Contemporary Romance – Mid-Length Novels: There were 11 finalists out of dozens of entries. There were 5 overall winners. One was indie and the indie won the $1,000 monetary award.
- Fragments of the Heart by Ally McGuire
Paranormal/Occult/Horror: There were 8 finalists and 4 overall winners. Two of the winners were indie.
- Dark Haven by Brey Willows
- Midlife is the Cat’s Meow by T.B. Markinson and Miranda MacLeod
General Fiction: There were 4 finalists and 2 overall winners. 1 winner was indie.
- The Flight List by Macon Leigh
Contemporary Romance – Long Novels: There were 11 finalists and 6 overall winners. 2 winners were indie and one of the indies won the monetary award.
- Meeting Millie by Clare Ashton – won the $1,000 monetary award for the genre category
- On the Same Page by Haley Cass
Historical Fiction: There were 6 finalists and 3 overall winners. One winner was indie and the indie won the $1,000 monetary award
- In the Shadow of Victory by J.E. Leak
Science Fiction and Fantasy: There were 12 finalists and 5 overall winners. Two of the winners were indie.
- Outcast by KJ
- Rhapsody in Flames by Ryann Fletcher
Debut Novel: There were 13 finalists and 5 overall winners. Two of the winners were indie and one of the indies won the $1,000 monetary award
- The Flight Risk by Macon Leigh – won the $1,000 monetary award in the category
- Paper Daffodils: A Dawn and Rosie Adventure by Titania Tempest
Ann Bannon Popular Choice Award: This is a reader chosen award. Gold, Silver, and Bronze awards are given. There were 25 finalists this year, many of whom were indie. Two of the three winners were indie and both won monetary awards.
- Meeting Millie by Clare Ashton – Silver Award and a $10,000 cash prize
- On the Same Page by Haley Cass – Bronze Award and a $5,000 cash prize
That’s quite a list!
The addition of monetary prizes thanks to gifts and grants over the last several years has increased interest in and entries for the Goldie Awards. The competition is a lot tougher and you would have thought that would have made it even harder for indies, but they’re share of the awards has increased to be even with some of the bigger publishing houses that publish sapphic works (Bella, Bold Strokes, Bywater, Ylva, etc) and some of the major publishers who publish sapphic books under specialty divisions and their authors submitting more books.
Anne and iReadIndies at GCLS 2024
Anne Hagan and iReadIndies went to the 2024 GCLS Conference in St. Paul, Minnesota and it was glorious!
Well, except for the hotel elevators…
The Golden Crown Literary Society (GCLS) held their annual conference in Saint Paul, Minnesota from July 10th, through the 14th at the Intercontinental Saint Paul Riverfront. It was Anne’s first time back to a live convention since the Pittsburgh con in 2019. She had to miss Albuquerque and Denver due to the adoptions of her kiddos.
It was hot in Saint Paul! Muggy even, being that the host hotel was steps from the mighty Mississippi River. And Anne thought it got humid in Ohio! The temperature didn’t deter con goers much, though. Elevators? That’s another story.
The Intercontinental, for an older downtown high-rise hotel, has plenty of room for conventions. Multiple conventions. And have them the week GCLS was on site, they did. While GCLS seemed the largest with 350+ in attendance, there was also another con (science related) in the early part of the week and then a convention of Baptists who were staying at the hotel but meeting elsewhere in the latter part of the week. Having so much going on put some stress on the hotel’s two (of only three) working elevators. Anne took the stairs down from the 19th floor a few times and many others who were able did too. Up was typically a wait. A long wait.
Conference Events
The meeting spaces GCLS used were well situated for the purposes of the con. Most events took place on the lower level which had an area that opened out at the bottom of the escalators down from the lobby where registration set up and where all the vendors set up. That’s where you could find iReadIndies.
iReadIndies distributed autographed copies of ‘Romance Springs Eternal,’ the anthology that benefits the organization, advertised for ‘Sapphic Screams‘ which benefits GCLS, allowed authors, and an editor to do giveaways at the table, and hosted authors at the table giving away or selling their books.
Readers got to meet Anne, romance author Carol Anne Douglas, eclectic author Ocean (best known for her Doll Island horror books), and Andra Palmer who writes mystery/suspense novels with a side of legal thriller as Alexi Venice.
Anne was on an AI Panel, on Thursday the 11th, moderated by editor Dor Howard who came all the way from South Africa for the con. Titled, AI the Beginning or the End of Creativity, the panel also featured authors Iris Eliot, Stacy Lynn Miller, Rita Potter, Nance Sparks, and author and technology industry veteran Aoibh Wood. Lots of interesting commentary from the panelist and from the audience in a crowded room.
On Friday, Anne was on the panel, The Rise of the Ice Queen, with moderator Kelsey Dye, editor Ruth Sternglantz, and authors Ana K. Wren, Jane Walsh, Melissa Brayden, and Milena McKay (whom Anne learned pronounces her name differently than her American English ears expected to hear it said!). The room was packed to standing room only. The GCLS crowd loves ice queens!
That’s Anne, seated between Melissa Brayden – now known as ‘Sheriff Mel’ – and Milena McKay. Not bad company to be in when you’re talking about ice queens!
Other 2024 GCLS Con Stuff
There were so many great readings, panels, presentations, and a few master classes. GCLS always has a good mix of daytime ‘con stuff’ and after hours events. Anne went to several things. Highlights for her included:
- The panel Neurodiversity 2.0: Managing Multiple Identities
- The AI master class presented by author and self described geek, Rachel Gold, ‘Writing in the Age of AI: Ethics, Tools and Transformation
- The panel Scissor Me Timbers! Pirates, Assassins, and Gangsters, Oh My!
- Inclusion in the Sapphic Lit World: Experiences from the Trans and Nonbinary Community
- The presentation Accelerating Your Digital Work Flow: Leveraging AI for Social Media, Newsletters, and Websites given by the amazing Robbie Adair
- The keynote address by Saint Paul city council member and accomplished poet and author, Andrea Jenkins
- The awards ceremony on Saturday evening
GCLS 2025 will be in Albany, New York from July 16th through the 20th, 2025. Anne and iReadIndies both hope to see you there!
Melting the Ice: 5 Must-Read Sapphic Books with Ice Queens
There’s something so appealing about the “ice queen” – that emotionally distant, mysterious female character who keeps others at arm’s length. In many sapphic stories, the ice queen slowly thaws out as another woman chips away at her frosty exterior. This popular romance trope features an initially cold heroine who gradually warms up to love through the persistence and charm of another character.
The appeal is obvious – who doesn’t love a challenge? The ice queen is unattainable, her heart locked away where no one can touch it. Her love interest must carefully navigate the labyrinth of her defenses, finding cracks in the armor and proving their worth. It’s immensely satisfying to watch the ice queen’s resistance slowly melt away as she lets her lover in. We get to experience the transformative power of love along with these characters.
Beyond the tantalizing romantic tension, ice queens are also intriguing characters in their own right. What made this woman so guarded and untouchable? Her backstory and inner complexity are slowly revealed, adding more dimension. Underneath that icy surface is a passionate heart longing for connection.
I know the title says I’ll highlight 5 unforgettable sapphic books featuring compelling ice queen archetypes, but there are so many great ones…and one amazing author of sapphic ice queens. You’re going to get some bonuses! You’ll find space necromancers, demon concubines, cyborg mechanics, uptight executives, a cellist/assassin and more. Join me as I explore these frigid but irresistible heroines and the women who inspire them to thaw!
- Requiem for Immortals by Lee Winter – My personal favorite ice queen book of all time, and Lee Winter is my favorite author of books featuring sapphic ice queens. While debate rages (and rages and rages) online about which of her books is her best, you can’t go wrong with this award winning book featuring cellist and assassin Natalya/Requiem and her prey, Alison/the mouse. I’m a mystery/suspense writer and reader at heart. Romance comes second for me. This book absolutely has it all. The twists Lee Winter pulls off you’ll never see coming because you’ll miss clues, but oh how genius and satisfying the twists are. Lee Winter is the Queen of authors who pen books about sapphic ice queens. Pick up any one of her books. You won’t be disappointed.
- Gideon the Ninth by Tamsyn Muir – Necromancers in space! The icy Ninth House cavalier Gideon has great banter with the aloof Reverend Daughter Harrowhark. This is a slow, slow burn romance in a book that’s been a TikTok star for at least a couple of years, probably longer, but I didn’t start paying any attention to TikTok until sometime in 2021 when my (now) teenager wouldn’t shut up about wanting a phone so he could watch it. Published in 2019, it still rocks all the bestseller charts.
- Written in the Stars by Alexandria Bellefleur – Uptight actuary Darcy meets free-spirited astrologer Elle. Opposites attract in this cute contemporary romance with a icy corporate woman. Also a multi-award winner including a Lambda Literary Award (Lammy). This particular book falls hard into the grumpy/sunshine trope. Too, if you love the ice queen character type (grumpy) pulled into a fake relationship trope, this is your book.
- The Headmistress by Milena McKay – A chance encounter, an unforgettable night. Do yourself a huge favor and DON’T read the description of this multi-award winning novel. It’s not a fantasy about dragons, trust me. I couldn’t understand why everyone raved about it until it started winning awards and I ‘made’ myself read it. I’m so sorry I waited so long. None of Milena’s books are to be missed, but this one should be first on your list.
Ice queens are not easy to write. All those rough edges… Can you imagine writing two of them facing off against each other? I did it along with my friends Barbara Winkes and Alysia D. Evans. We created an anthology of three full length novellas, each pairing two queens. You can read all about the making of Queen Vs. Queen here. The book is on sale all through October for only $.99 US/equivalent.
Enjoy your ice!
~Anne
Software for Authors
Resources: Round 2 – Software
A couple of months ago we published a blog post featuring resources for sapphic literature authors. We shared the list with our sister site, iReadIndies and got requests from the authors of the iReadIndies collective to add things like cover designers, writing software, marketing resources and more. We’ve since added cover designers to the list on that site. You can see the full list here.
We’re creating a separate blog post here and page on the iRI site for software for authors because there are a lot of software resources in multiple categories.
This list isn’t intended to be exhaustive. The writing and editing software brands listed here and the emailing platforms are known to many authors, both traditionally published and indie. Plotting software is a newer player on the scene but both types of authors use it as well. The publishing specific software will be of more interest to indie authors than to traditionally published ones.
Writing Software
Microsoft Word: The old standby. Mobile, PC, and Apple products versions. Most editing software add-ins work with it. Cloud storage with MS Office 365. Most Longtime users can make it do lots of tricks and Microsoft rolls out new features all the time. Decent voice to text capability built in. Can be pricy if you keep upgrading or if you use MS Office 365 and pay monthly/annually. No story boarding or built in plotting features.
Google Docs: Free and accessible from any device with your Google login (uses your Gmail account). Browser extensions are available for most editing software. Works similar to MS Word in many respects but without all the underlying code. Also has built in voice to text capability.
Scrivener: The gold standard for writers. Apple and PC versions but the Apple version is more developed. One time cost of about $49 US with updates and most major upgrades free. Good product support. Project management from start to finish with built in tracking capabilities. Store all your notes/research in your book file. See your chapter notes on screen as you work. Storyboarding capabilities. Can build boxed sets. Steep learning curve but there are lots of free materials and videos out there. Can use PC/Apple built in speech to text functions. Can create files for publishing, but the interface to do this with a PC is clunky.
Dragon Naturally Speaking and Dragon Anywhere: Works with MS Word (add-in), Google Docs (browser extension) and other programs for speech to text. Pricey compared to the free speech to text converters Microsoft and Google offer users, but it can be trained to your voice fairly quickly and work much more accurately. Dragon Anywhere is the newest offering, but it’s stilly easy to get Dragon Naturally Speaking and it’s still supported.
Plotting Software
Plottr: There’s lots of plotting software out there. If you’re a visual planner and you don’t want to cover your wall space in boards with index cards or PostIt notes, Plottr is your best bet. Available for Mac, PC, and online. Highly customizable and has useful templates for plots in several genres/formats and for characters. Annual $25 US fee but if you like it, spring for the lifetime deal at $99 US.
Plot Factory: Robust but it’s online software only. No internet, no access. This is freemium software. The free version does a lot and doesn’t limit the volume of your content but feature rich versions cost from $9 to $19 a month/$90-190 a year. Import your own plot templates. US. Audio narrations available even at the free level downloadable as MP3 files.
Scrivener: See above (Writing Software). It’s not a robust plotter like the software Plottr, but if all you need is a storyboard where you can see plot points/scenes/chapters visually and move things around, and you already have this, it’s all you’ll probably need.
Editing Software
ProWritingAid: Free and premium versions. Works with MS Word (add in), Google Docs, and just about everywhere you can write online like on blog posts, comments, social media and more (Chrome extension). Checks grammar, spelling, punctuation, and clarity. Plagiarism checker. Run twenty different reports on your writing based on the software’s analysis. Premium is the robust standard for professional writers both traditionally published and indie. Give your editor the cleanest copy possible. Pricing for premium is $10 a month/$120 a year US.
Grammerly: You’ve likely used the free version of this. It’s always been a great grammar, spelling, and punctuation checker and it has a Chrome extension to allow it to work for you across the internet as with ProWritingAid. The paid version has improved over the years to be nearly as robust as ProWritingAid, but there are far less reports available and it’s more expensive, especially if you can only afford to pay monthly ($30 a month, US).
Hemmingway: Online and desktop for Mac or PC. Not as robust as ProWritingAid or Grammarly but very user friendly and inexpensive at a onetime fee of $19.99 US. Allows the user to format articles and export directly to WordPress and to Medium.
Fictionary Storyteller: Online only. 14 day free trial. After that there are three levels of paid plans from $19 a month/$169 a year US to $49 a month/$399 a year, US. At the lowest level you can work with three active files/stories. Popular with editors especially at the ‘Storyteller Coach’ level.
Publishing Software
Vellum: Mac only. Built in editor. The longtime standard for self publishers who wanted to format books that looked good while being able to edit on the fly. Creates individual books and boxed sets. Easy to use. Updated frequently. Good support. One time cost of $199.00 US (eBook only)/$249.00 US (eBooks and paperbacks). The biggest con is that it only runs on Mac OS systems and only the past couple of MAC OS upgrades. Once Apple stops supporting an OS, new Vellum software updates won’t work. You have to get a newer Mac.
Atticus: Online only. The newish kid on the block trying to unseat Vellum. Aims to unseat Scrivener too, as it too is an editor so you can make changes on the fly. The developers are pushing it as writing software. It’s getting there, but it’s not quite there yet. A cool feature is the ability to store templates for your back matter. You change the template then switch it out with all your stored books and upload the updated version to the retailers. New features are added often. Boxed set creation is now available. User friendly and good support. Cheaper than Vellum at $147 US with lifetime free updates.
D2D: Online only. free. In the days before Atticus, if you didn’t have Vellum or Scrivener, you either learned how to format your MS Word or Google Docs document for conversion to a .mobi or .epub file or you paid someone to format your eBooks. You could also use Draft2Digital (D2D). You still can. It’s still out there and it’s still free. The owners of D2D improve it all the time. It’s user friendly and that’s a good thing because support can be slow. The biggest con with D2D’s compiler is that it’s not an editor. What you see is what you get. Catch a typo? Spacing off? You have to go back to your source file and fix it, then upload your file again.
Scrivener: You can create files to publish directly in Scrivener. If you’ve mastered the learning curve to write in it and use many of it’s cool features, you can probably master it’s publishing learning curve too. Scrivener took years to do a PC update beyond what they took to do an update to the Mac version of their software. Anne gave up on publishing with the PC version well before they finally updated it. The old way of creating .mobi and .epub files with the PC version was a slog. Hopefully it’s improved. Anne used Vellum for a few years, then bought Atticus. She prefers either of those to using Scrivener to do the conversions.
Adobe InDesign: The best software for book layout. Used by professional graphic artists everywhere, often in conjunction with Adobe Illustrator. Monthly and annual plans starting at $21.00 a month US for use out of the Adobe Creative Cloud. Does not include stock photos. You must do your own illustrations (with Illustrator or other such software), provide your own photos, or purchase licensed stock photos from Adobe Stock or another provider like DepositPhotos.
Note: There are dozens of viable platforms out there to use to maintain your email list. Additionally, many webhosts offer this service and can integrate it with your website. These three are the most common standalone platforms. They all have limited free plans and multitudes of features. All have experienced significant price increases in the past two years as they’ve added features to compete with each other.
MailerLite: Free up to 1,000 subscribers. Tends to be the least expensive overall, especially under 2,500 users. It’s also the most basic. There are templates and you can create and store your own, but they’re limited. Integration with websites is also limited but importing addresses is simple. Has automations.
MailChimp: Free up to 500 subscribers. More expensive than MailerLite, but also more feature rich. You can customize to your heart’s content. Lot’s of customizable templates. Integrates with most hosting platforms/software. Automations. Social media scheduling.
ConvertKit: Free up to 1,000 subscribers but limited features. Popular with sales professionals, it’s making inroads with authors. Includes everything MailerLite and MailChimp have, plus ecommerce at paid levels. You can sell digital products and subscriptions. It’s the most expensive of the three.
Marketing Graphics
BookBrush: Online only. Free and paid versions. Great for making graphics that include your book cover, book related images, pull quotes and more. This is not all around marketing software. The free version will let you do a lot to produce marketing graphics that include your cover. Paid versions, starting at $99 a year US, are more robust but they are still based around book covers.
Canva: Online and offline. Mobile versions as well. Robust graphics creation software. The free version does as much as most beginning authors will ever need. If you publish a lot, blog, market on social media, do stuff for other organizations, etc. you’re going to want to spring for Pro at $99 a year US. It will be money well spent because you’ll use this a lot. With pro you have access to far more graphics/stock photos (licensed for commercial use), thousands more templates, the ability to upload fonts, and tons of special features.
Adobe: Adobe is an entire suite of products you can buy as downloadable software or use via Adobe Creative Cloud. You’ll need a combination of products and stock photos to make quality graphics with Adobe, but they will be high quality. Your best bet if you go the Adobe route is to buy the all apps package for $54.99 a month. It’s pricy, but you can do everything you’d ever need with it for yourself and all your author friends.
Halloween 2023 Sale
Authors and Publishers: MyQueerSapphFic is having a $.99 Halloween Sale from Friday, October 27th – Tuesday, October 31st. If your book has a Halloween theme, contains vampires, witches, zombies, etc. or falls into the suspense, thriller, or horror categories you can list it in the sale, FREE.
The only requirements beyond genre and theme are that you drop your price to .99/country equivalent for the full period from Friday, October 27th through Tuesday, October 31st.
3 eBook maximum.
Deadline to submit is by 11:59 PM your local time, Sunday, October 22nd.
Kindle Countdown deals are allowed but must be noted on the submission form so we can advise readers on limited availability. Countdown deals are only available in the US and UK.
Click here for the submission form.
Introducing iReadIndies International
And so it began…
Two and a half years ago, indie author KC Luck established iReadIndies, a collective organization “to bring visibility, recognition, and support to independent authors who put their own time, effort, and resources into self-publishing quality sapphic literature.”
Over the ensuing time, more than 200 indie authors have joined the collective at no cost. All are free to participate in free mentoring, training, group marketing efforts, anthologies and more. There are monthly author meetings, a newsletter for authors, social media outlets that allow the authors to collaborate, reader facing social media accounts, and reader groups on Facebook to promote the authors and their work. Indie book loving readers can also be on a mailing list just for them.
In the early days, near the tail end of the first major wave of the Covid-19 pandemic, there was talk of future writing retreats, conferences, and awards. It was a huge undertaking for KC, and a true labor of love.
KC has decided to step down. She’s established quite a legacy, and she’ll be missed…but she’ll never be far away. In her stead, Erin and I are taking over, continuing her legacy, and building for the future.
Why take over iReadIndies?
We too love indie authors of sapphic literature and the readers who support them. Of all the books we advertise here at MyQueerSapphFic, 95% (or more) are indie. Our weekly newsletter has thousands of reader subscribers who love hearing about discounts on and new releases of the books they love.
All of that said…we’ve decided we need to make two immediate changes that will help us reach out to more authors, reach more readers, and grow for the future.
- We’re incorporating and changing the name (slightly) to iReadIndies International – AKA iReadIndies International Inc. – We’ll still have the roots of a collective, but with open arms to the world of sapphic indie literature, the diversity of the writers and authors who create it, and all the readers who love it.
- We’re applying to make iReadIndies International Inc. a non-profit organization. – We’ve got a few hoops to jump through to get there including getting the transition made/website back up and running under our management, filing our non-profit application, and obtaining tax exempt status.
Moving forward and into the foreseeable future, I’ll be the executive director of what we’ve been calling iRI, for short. I’ll be responsible for most of the transition effort, and the day to day operations of iRI thereafter. With KC’s help and some input from members of the collective, We’ve already vetted a small starting board of directors to stand up the new iteration of our not quite so new organization. The board will oversee the organization and keep me in line!
Erin Hodgson will serve as the first President of the board. Serving as members and other officers will be authors Edale Lane and Max Ellendale, and voracious reader and editor Tammie Lynn. Going forward, board positions can be added as needed. Multiple authors and a few readers have volunteered to help in other capacities.
Why a non-profit?
KC paid for nearly everything out of her own pocket, out of the goodness of her heart. As we grow and plan things like a more formal mentorship program, writing retreats, writer/reader conferences, visibility at established conferences and events, and annual awards, we’re going to need funding.
- The benefits of being a non-profit: We’ll be able to receive tax-deductible donations, have access to grant funding, and we’ll be better able to build credibility with donors and partners.
- The challenges of being a non-profit: There are challenges, always, with any organization. For us our biggest challenges will be fundraising, managing volunteers, and complying with regulations.
- The future: Being a non-profit will allow us to make a difference in the lives of indie authors and the readers who love great books by giving us not only the platform KC started, but the ability to grow and change with the times…and they are heady times we live in!
What’s next?
The website will be down for a few more days or so, as we transition. Watch for it to return and (over time) expand, watch your iReadIndies email (if you joined the list before the transition), and watch social media. We’ll resume all of the things below and more, soon:
- Book contests and giveaways
- Indie author anthologies in multiple genres (mass giveaways!)
- Author Spotlights/Readings
- Author (self published/aiming to publish) and writer (write for fun) specific groups for brainstorming, networking, collaboration, venting, and more.
- New release announcements
- Mentoring
- Resource listings
- Author classes and masterclasses on craft, editing, publishing, and marketing…especially marketing!
Additionally, with funding, volunteers, and lots of planning and coordination we’re aiming for:
- A website that showcases the authors of the collective and their books, where readers can find great books by genre and trope.
- Membership sites like KoFi and/or Patreon with exclusive content from authors of the collective to support iReadIndies and programming for the authors of the collective.
- Awards in 2024 for 2023 works and the establishment of a formal awards nominating and judging process for future years.
- Writing retreats in at least two locations (US and abroad?) beginning in 2024.
- A small (weekend?) conference in Scotland in 2024. Exact location to be determined.
- Representation at various levels at US based conferences in 2024 like GCLS (July, location to be determined), Women’s Week (October, Provincetown), LCLC (October, Palm Springs, California) – We’ll likely – unfortunately – skip ReadOUT in Gulfport, Florida for 2024 and regauge the political climate there in 2025.
- A first iRI US based conference with an awards presentation in 2025, likely in Columbus, Ohio for the first year.
We’re building on a solid foundation from a great legacy, and we’re just getting started!
Rest in Power Minnie Bruce Pratt
Activist, poet and essayist Minnie Bruce Pratt passed away on July 19th, 2023. She was 76.
Minnie was a radical southern femme, feminist poet, essayist, educator, and activist. She was a founding member of the Combahee River Collective, a black feminist organization that was one of the first to articulate a radical analysis of the intersections of race, class, and gender oppression. Pratt’s own work was deeply informed by her experiences as a white, working-class, lesbian woman. Her poems and essays explored themes of racism, sexism, homophobia, and violence.
Pratt was born in Montgomery, Alabama, in 1948. She grew up in a working-class family and attended segregated schools. After graduating from high school, Pratt attended Wellesley College, where she studied English and creative writing. After graduating from Wellesley, Pratt moved to New York City, where she began her career as a poet and essayist.
In 1974, Pratt co-founded the Combahee River Collective. The Collective’s statement of purpose, written by Pratt, is one of the most important documents in the history of black feminism. The statement articulates the Collective’s belief that “the major systems of oppression are interlocking, and that women of color experience oppression in ways that are both similar to and different from those of white women.”
In 1991, The New York Times named Crime Against Nature a Notable Book of the Year, and the American Library Association honored the volume with its Gay and Lesbian Book Award for Literature. The works focused on her experience as a lesbian raising sons. The book was reprinted and distributed in 2016 as the first title from Sapphic Classics, a co-edition between Sinister Wisdom Magazine and A Midsummer Night’s Press to reprint seminal works of lesbian poetry.
Pratt published six books of poetry, including “The Sound of One Fork Against the Other” (1981), “S/He” (1985), and “Ordinary Life” (1995). She also wrote several books of essays, including “Identity Lessons” (1998) and “Situating Autobiography” (2003). Pratt’s work has been widely anthologized and translated into several languages.
Pratt was a professor of English at the University of Maryland, College Park, for over 30 years. She was also a founding member of the Women’s Studies program at the University of Maryland. She spent the last years of her academic career as professor of women’s and gender studies as well as writing and rhetoric at Syracuse University. She retired in 2015.
Pratt was a tireless advocate for social justice and a powerful voice for the oppressed. Her work will continue to inspire readers for generations to come.
In addition to her writing, Pratt was also an active activist. She participated in protests against racism, sexism, homophobia, and violence. She also worked to raise awareness about the intersections of oppression. Pratt was a founding member of the Southern Organizing Committee for Human Needs and the National Coalition Against Domestic Violence. She was also a member of the board of directors of the National Organization for Women and the National Coalition of Black Lesbians and Gays.
Pratt was a brilliant writer, thinker, and activist. She was a powerful voice for the oppressed and a tireless advocate for social justice. Her work will continue to inspire readers and activists for generations to come.
Here are some additional details about Pratt’s life and work:
- Pratt was a recipient of the National Endowment for the Arts Fellowship in Poetry, the Guggenheim Fellowship, and the Lannan Foundation Literary Award.
- She was a member of the editorial boards of several journals, including “Signs: Journal of Women in Culture and Society” and “American Quarterly.”
- Pratt’s work has been featured in several documentaries, including “The Combahee River Collective: A History in Documents” and “For the Record: The Life of Minnie Bruce Pratt.”
- Pratt was awarded the National Women’s History Association’s Eleanor Roosevelt Award for Human Rights in 2014.
Pratt is survived by her sons Ben and Ransom Weaver. She was proceeded in death by her longtime partner and later spouse, activist and the author of ‘Stone Butch Blues,’ Leslie Feinberg in 2014.
Pratt’s death is a loss to the world of literature and activism. She was a brilliant writer and thinker who used her work to challenge injustice and oppression. Her legacy will continue to inspire others for years to come.
Pratt’s sons have suggested anyone wishing to make memorial donations in her name make them to the to the Friends of Dorothy House in Syracuse, which provides care and support to people living with HIV or AIDS.
May she forever rest in power.
Resources for Sapphic Literature Authors
This week’s blog post focuses specifically on resources for sapphic literature writers. This is intended to be a living document. Links will be added as they are found.
Here are some of the best online writing and information resources for sapphic fiction authors and most other authors. (Updated with additions and corrections November 15th, 2023…still not exhaustive!):
- From award winning author and senior Ylva Publishing editor, Jae, her website and newsletter for authors, The Sapphic Quill, and her craft books and tips newsletter written under her legal name, Sandra Gerth.
- Malinda Lo’s Blog – Sections on writing and on LGBTQ YA Fiction.
- Not specifically sapphic, but imminently useful: Writing with Color, a Tumblr site dedicated to writing and resources centered on racial, ethnic and religious diversity.
- A book, not a site, but the newest edition to this list with a November 2023 publication date: Writing Lesbian Fiction: Write Your Own Way by Elizabeth Andre.
The resources below are more general (read, not sapphic at all), geared toward writing craft, or toward the business of being an author, and are not genre specific. They’re also in no particular order. All of them have been used by Anne and she recommends them.
- One Stop for Writers: Free (lots) and paid (tons) resources for writers. Includes articles, tutorials, worksheets, tip sheets, story maps for plotting, etc.
- Writer’s Digest: There’s the magazine (online and offline) of course, all the seminars, and a great website with lots of free resources for writers. Anne’s favorite section is, Write Better Fiction.
- Jane Friedman: Reports on the publishing industry including self publishing and the business of being an author. She has a paid newsletter, The Hot Sheet, a blog, the extremely popular and free bi-weekly email newsletter, Electric Speed (well worth the signup), free and (mostly) inexpensive paid in-person and online classes on running your author business and on writing craft, and more.
- KM Weiland: Her blog, ‘Helping Writers Become Authors,’ is all about writing craft. There are new posts weekly at a minimum and is always worth a look even if she’s addressing ‘the hero’s journey’ and you write erotic romance. Sign up for email notices of new posts so you never miss one.
- Janice Hardy: Janice, an author, teacher/professor, and writing coach runs the Fiction University blog/website. She’s down to blogging personally one day a week now on writing craft from a much heavier schedule, but she also has guest posts weekly or more on a wide variety of craft topics.
- Joanna Penn: Joanna is an author, podcaster, and blogger. Her blog for writers is called The Creative Penn. All of her podcasts featuring herself and a wide range of guests in publishing, particularly self publishing and the businesses that serve indies are archived and also transcribed. She’s written a host of non-fiction books as Joanna Penn about writing and publishing. Most of her fiction is written as J.F. Penn.
- Anne R Allen: Authors Anne R. Allen and Ruth Harris release a once weekly blog post on Sunday on their blog Writing About Writing. These typically cover specific topics about the business of being an author, and sometimes they are more craft focused. They’re always laced with useful examples and informative. They also maintain an excellent resource list for authors.
- Bryn Donovan: Bryn is an author and an editor who writes both fiction and non-fiction books. She’s well known for her ‘Master Lists for Writers’ and her tomes of writing prompts. Anne follows her very inclusive blog. Anne has bought her books. Anne loves her!
- Reedsy: Reedsy is a site where you can hire a freelance editor. They also offer a blog with detailed, useful articles on writing, book design, and publishing and they offer more than 50 FREE Online courses that cover writing, book design, publishing, marketing and more.
- DIY MFA: You can get an armchair Master of Fine Arts in writing if you follow the advice of this site. You’ll focus not only on writing, but also on reading and on community building.
- Writers Helping Writers: This site has a frequently updated blog on writing craft topics, paid tools and tutorials for many aspects of storytelling (include several through One Stop for Writers), and workshops and webinars with well known authors/presenters (paid with fees starting at $15 for 1-2 hour sessions/higher for longer, more in-depth workshops). The resource list on the site needs an update.
- C.S. Lakin: C.S. is a novelist, copy editor, writing coach, and more who writes and hosts guest posts on her blog, Live Write Thrive. Her ‘writing tips’ blog posts are some of her most popular.
- Writer Unboxed: A great site with daily, relatable posts about the craft and business of fiction. The site has multiple contributors with lots of different perspectives.
- Writers in the Storm: Five women, all authors, who write in a range of genres blogging about writing craft and inspiration. They’ve been writing the blog since 2010 so there are extensive archives which can be searched by month, keyword, and category (from a dropdown list of categories).
- Writer Beware: For ALL writers. Educate yourself. Stay safe from scams and scammers.
- The Book Designer: Very useful site for self published authors with archived articles by Joel Frielander and others. Note: It’s now a part of SelfPublishing.com, but the archived articles are great. The articles focus mainly on the parts after the writing is done; book covers, book design, printing, marketing, and more.
- The Kill Zone: We know we said no genre resources but we’re making an exception for this one because it’s exceptional. Eleven writers including James Scott Bell and Sue Coletta blog for the TKZ about writing, especially about writing mystery, thriller, and suspense works, and about publishing.
- Kindlepreneur: This site by author and entrepreneur Dave Chesson will appear again when we talk about marketing sapphic books and marketing tools, but a mention as an overall resource is not misplaced. Dave has created or co-created several products of use to all authors including his best known KDP Rocket (a marketing tool focused on Amazon) and the writing/publishing software Atticus. Dave is also well known for his extensive, honest reviews of writing, publishing, and marketing tools.
Writing workshops and Training: There are many writing workshops that focus on sapphic fiction. These workshops can be a great way to learn from experienced writers and get feedback on your work.
- Lambda Literary – Resources for Writers – Their stated goal is to help writers at all stages of their writing journey. Specifically check out their Learn with Lambda programs for LGBTQIA authors.
- Golden Crown Literary Society – Offers an annual writing academy that meets weekly, virtually for 9 months each year and includes a mentorship program, an annual conference with a craft track, and numerous online educational opportunities throughout the year, many of which are free.
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Online communities: Besides the resources we’re beginning to develop here at MyQueerSapphFic, there are many online communities for sapphic fiction authors where you can connect with other writers and with readers, get feedback on your work, and learn about the industry. Some of these sites and communities also review books and/or allow advertising. Some of our favorite communities include:
- iHeartSapphFic – Reader heavy focus with lots of promos for authors to participate in (mostly free/some paid advertising spots) and a book finder database that puts ours to shame. We’re working on it!
- iReadIndies – A place for readers of indie published books and a collective for indie authors (not published through any established large publisher, university press, sapphic press/publisher, or other LGBTQIA press/publisher).
- Lesfic Marketing Alliance Facebook Group – Just what it says. Authors only, getting together to share tips and help each other promote.
- The Lesbian Review (TLR) – Reader heavy focus built on thousands of book reviews. Also review movies and more. There are opportunities to promote and to appear at reader facing events (mostly online through webinars and on Discord)
- Queer Romance Ink – Mostly a place to advertise (author pays). Large, searchable book database for readers that is growing more sapphic, but leans heavily toward gay fiction. Not just romance.
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Review Sites and Book Bloggers: Some sites and bloggers accept ARC copies, some do not. Some use Netgally. Check with each individual site or blogger before requesting a review or sending your book/eBook.
- KittyKat’s Book Review Blog
- (The) Lesbrary
- Lesfic ARC Club – A facebook group where you can find reviewers
- Lesfic Sapphic Women Loving Women Book Reviews and Promos – A Facebook group where you can find reviewers
- Lez Review Books
- Mx Pheobe’s Viewpoint
- Rachel’s Sapphic Reviews
- Rainbow Book Reviews
- Rainbow Round Table – News and reviews for GLBT books from the American Library Association (ALA)
- Sapphic Book Review
- Smart Bitches, Trashy Books – Not a sapphic site but they review romance books with any pairings and they list sapphic books in their book finder.
- The Lesbian Reading Room – This site previously run by Velvet Lounger may be offline. Velvet can be found in Facebook sapphic reader groups doing promotions.
- TLR (formerly The Lesbian Review)
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Agents and publishers: There are a number of publishers who specialize in sapphic fiction. If you’re interested in getting your work published traditionally rather than self-publishing, you can research them to find the right fit for you. Agents are typically necessary for large, mainstream publishers. There are far too many of those publishers and agents to list.
The publishers below lean toward sapphic literature or accept it exclusively. Each will typically take a direct submission. Check their websites before submitting for information and guidelines.
- Affinity Rainbow Publishing
- Aunt Lute Books – Radical feminist press that does publish queer/sapphic books
- Bedazzled Ink
- Bella Books
- BLF Press – (Concentrates on queer women of color)
- Bold Strokes Books
- Bywater Books
- Desert Palm Press
- Dirt Road Books – Publisher appears to be defunct
- Flashpoint Publications – Absorbed Regal Crest Publications
- Sapphire Books Publishing
- Triplicity Publishing
- Queen of Swords Press
- Ylva Publishing
Other publishers who focus on LGBTQIA fiction and often take direct submissions:
- Carnation Press
- Cleis Press
- Dreamspinner Press
- Interlude Press
- Launch Point Press
- NineStar Press
- Pride Publishing
- RedBone Press – (concentrates on black lesbians and black gay men)
- Riptide Publishing
- Supposed Crimes
These lists are by no means exhaustive and will continue to evolve.
~~~
These books offer insights into the craft of writing sapphic fiction, as well as advice on how to represent sapphic characters and relationships in a way that is authentic and respectful.
- Romancing the Beat: Story Structure for Romance Novels – by Gwen Hayes – Not sapphic, but inclusive and a must for romance writers
- Writing the Other: A Practical Guide to Inclusive Fiction by Nisi Shawl and Cynthia Ward
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Awards: There are multiple awards programs for LGBTQ+ books. Some are dedicated to sapphic books and some exclusively to gay books or bisexual books. Other awards and award programs are more general in nature. Listed below are reputable programs authors and publishers can submit to. Many require a submission fee which helps to keep the awards program viable. Some of the organizations giving awards are profiled in other areas of this blog post.
The Goldies – Sapphic exclusive awards in multiple categories given in July of each year by the Golden Crown Literary Society (GCLS) for works published between January 1st and December 31st of the previous year. To facilitate judging, GCLS staggers the submission deadlines. Submissions generally start in late August or very early September of the publishing year for all books published through at least the first half of the year (January through June). the final submission period ends in mid to late January of the year following the year of publication. There is a submission fee.
The Lammys – Given by Lambda Literary each year in May or June for (primarily) books published in the previous calendar year. There are exceptions. Lambda has lesbian specific categories, gay specific categories, bisexual ones, and transgender ones. There are also some overall LGBTQ categories not broken out by orientation including – for some reason – the broad category of ‘Mystery.’ Submissions begin September 1st of the publishing year and extend slightly into the year following. There is a scaled submission fee.
The Lesfic Bard Awards – Sapphic exclusive awards in multiple categories given annually for books published the previous calendar year. Submissions are generally open all year for books published that year and close in January of the year after the publishing year. There is a submission fee. Note, if you write gay fiction as well, they also sponsor the Gay Scribe Awards.
The Publishing Triangle Awards – The Publishing Triangle presents 10 awards annually. Two awards, one for non-fiction, and one for poetry are lesbian only. Others are closed to sapphic books and still others are open to the full spectrum of LGBTQIA orientations. Submissions open in late September and run through early December of the publishing year.
Foreward Indies Book of the Year – These prestigious awards are open to all indie published books, both by individual indie authors and authors from small and boutique presses like those of you with Bella, Bold Strokes, Ylva, etc. Submissions are open year round. They close on January 31st of the year following the publishing year. Finalists in all categories are named in March. Winners are named in June. There is a (steep) fee to submit.
Ippy Awards – An unaffiliated, but prestigious awards program for independent publishers/indie authors who publish books for an English speaking audience. There are dozens of award categories including one for LGBTQ+ Fiction. Early bird entries are in September and November. The current entry cutoff is March 16th, 2024. Submission fees are required for each category of submission.
Stonewall Book Awards – Sponsored by the American Library Association’s Rainbow Round Table. The award honors one exceptional book each year in each of three categories (adult fiction, adult non-fiction, and childrens/YA). Submissions (free) are open during the publishing year. The winners are announced in January of February of the year following the publishing year with the actual award (plaque and monetary) given at the ALA annual conference in June.
Please note: The Rainbow Awards were given each year by Elisa Rolle through 2021. They appear to have stopped with that year.
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Here are some other resources that you may find helpful:
The Golden Crown Literary Society (GCLS) – Mentioned above under workshops and training – A nonprofit organization supporting an international community of readers, writers, publishers, editors, audiobook narrators, and fans devoted to increasing the diversity, accessibility, quality, and visibility of sapphic and women-loving-women literature.
The Lambda Literary Foundation – Also, mentioned above, Lambda Literary provides resources for LGBTQIA+ writers, including a mentorship program, a writing retreat, and a literary awards program.
The Publishing Triangle is a professional organization for LGBTQIA+ writers, editors, and publishers. They offer a number of resources for writers, including a mentorship program, a writing contest, and a book fair.
2023 Goldie Award Winning Books
The 2023 winners of the annual Goldie Awards bestowed by the Golden Crown Literary Society (GCLS) were named on Saturday, July 1st at the awards ceremony held at their annual convention, which was in Denver, Colorado, this year.
New from GCLS this year, after receiving a substantial grant from the Aronson-Besthoff Fund of the Greater New Orleans Foundation, are monetary awards for the highest scoring debut novel, the highest scoring book in each genre category, and the highest scoring book in each of the ‘non-novel’ categories like, non-fiction and poetry.
Also now receiving monetary awards are the top three books determined by ranked choice voting for the Ann Bannon Popular Choice Award. The institution of monetary prizes necessitated changes in how the Ann Bannon entries were voted upon.
GCLS names 25% of all books entered in each category as finalists as determined by the rankings of the judging panel for the category. In each category, 10% of all entered books ultimately receive awards, allowing more than one winner in larger categories.
Winners are listed below in the order award categories were presented by the GCLS at the awards ceremony. Monetary prize winning books are listed first and noted in each category.
General Non-Fiction:
Half In: A Coming of Age Memoir of Forbidden Love by Felice Cohen/Dividend Press – Felice and her book were profiled here previously. – Also won $1,000 prize
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Audiobook Narrator:
This was a new category this year. There were more than 30 audio books entered, and three winning narrartors were chosen.
Dead Woman’s Revenge narrated by Rebecca Lowman* of Orange Skye Audio (Published by Dreamspinner Press)
A Whisper of Solace (previously profiled on this site) narrated by Abby Craden* of Tantor Media (Self Published by Milena McKay)
Dead Letters from Paradise narrated by Christine Williams* of Susie Bright/Audible Studios (Published by Bywater Books)
*Links to narrator names go to the lists of Audible audio books they have narrator credits for including the book they won for. Not all books they’ve narrated are sapphic books.
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Romantic Blend:
Enigma by Suzie Clarke, published by Bold Strokes Books – Top Scoring Novel Prize – $1,000
Despite Chaos by Stacy Lynn Miller, published by Bella Books
Secret Agent by Michelle Larkin, published by Bold Strokes Books
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Contemporary Romance Short Novels:
Trial and Error by Carsen Taite, published by Bold Strokes Books – Top Scoring Novel Prize – $1,000
Truly Wanted by J.J. Hale, published by Bold Strokes Books
Perfect Rivalry by Radclyffe, published by Bold Strokes Books
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Fiction Anthologies/Collections:
Defiant Hearts – Lee Lynch, published by Bold Strokes Books – Top Scoring $1,000 Prize
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Mystery/Thriller/Crime:
Delafield by Katherine V. Forrest, published by Spinsters Ink – Top Scoring Novel Prize – $1,000
Hunting Gold by Ann Aptaker, published by Bywater Books
Last Chance Chicago by Diana DiGangi, published by Bywater Books
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Young Adult Fiction:
Can I Trust Her? by Frances Lucas, published by Bella Books – Top Scoring Novel Prize – $1,000
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Contemporary Romance – Mid Length Novels:
The Last Lavender Sister by Melissa Brayden, published by Bold Strokes Books – Top Scoring Novel Prize – $1,000
She’ll Steal Your Heart by Rachel Lacey, Self Published
With a Twist by Georgia Beers, published by Bold Strokes Books
I Dare You to Love Me by Lori G. Matthews, published by Bella Books (Lori has a short mystery in a giveaway available through July 5th, 2023)
Christmas Mouse by Rachel Spangler, published by Brisk Press
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Paranormal/Occult/Horror:
The Wicked and the Willing by Lianyu Tan, published by Shattered Scepter Press – Top Scoring Novel Prize, $1,000. (Previously featured on this site)
The Mermaid Hypothesis by Siri Caldwell, published by Brussels Sprouts Press
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Poetry Collections:
Time Out of Time by Arleen Paré, published by Caitlin Press and Dagger Editions – $1,000 prize winner
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General Fiction:
Dead Letters from Paradise by Ann McMan, published by Bywater Books – Top Scoring Novel Prize $1,000
The Barrens by Kurt Johnson and Ellie Johnson, published by Arcade – Skyhorse
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New Adult Fiction:
Catching Feelings by Ana Hartnett Reichardt, published by Bold Strokes Books – Top Scoring Novel Prize, $1,000
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Historical Fiction:
Once in Berlin by Jo Havens, self published – Top Scoring Novel Prize, $1,000
Observations on the Danger of Female Curiosity by Suzanne Moss, published by Aesculus Books (previously featured on this site)
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Erotica:
Escorted by Renee Roman, published by Bold Strokes Books – Top Scoring Novel
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Contemporary Romance – Long Novel:
Plain English by Rachel Spangler, published by Bywater Books – Top Scoring Novel Prize – $1,000
Chemistry by Rachael Sommers, published by Ylva Publishing
Purposefully Accidental by G Benson, Self Published
Over the Moon with You by Jaime Clevenger, published by Bella Books
Something’s Different by Quinn Ivens, published by Ylva Publishing
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Science Fiction/Fantasy:
Endurance by Elaine Burnes, published by Mindancer Press/Bedazzled Ink – Top Scoring Novel Prize – $1,000
The Mage and the Monster by Barbara Ann Wright, published by Bold Strokes Books
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Debut Novel:
The Barrens by Kurt Johnson and Ellie Johnson, published by Arcade – Skyhorse – Top Scoring Debut Novel Prize – $1,000
Truly Wanted by JJ Hale, published by Bold Strokes Books
Observations on the Danger of Female Curiosity by Suzanne Moss, published by Aesculus Books (previously featured on this site)
Honey in the Marrow by Emily Waters, published by Ylva Publishing
Love and Duty by Catherine Young, published by Bold Strokes Books
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Sandra Moran Writing Academy Scholarship: Beth Caldwell
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Ann Bannon Popular Choice Award:
Gold and $3,000 – If I Don’t Ask by EJ Noyes, published by Bella Books
Silver and $2,000 – Just a Touch Away by Jae (This book was previously featured on this site)
Bronze and $1,000 – Broken Beyond Repair by Emily Banting (This book was previously featured on this site)
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Tee Corinne Award for Outstanding Cover Design:
Observations on the Danger of Female Curiosity by Suzanne Moss, published and cover by Aesculus Books (This book was previously featured on this site)
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Lee Lynch Classic Award:
Home Girls by Barbara Smith
From the book blurb and from Amazon:
“The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women’s lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women’s lives have changed-or not-since the book was first published.”
Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.
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Trailblazer Award:
The Trailblazer Award is given annually by GCLS to an author for lifetime achievement. The 2023 awardee is:
Alison’s brief bio:
ALISON BECHDEL has been a careful archivist of her own life and kept a journal since she was ten. Since 1983 she has been chronicling the lives of various characters in the fictionalized “Dykes to Watch Out For” strip, “one of the preeminent oeuvres in the comics genre, period” (Ms.). The strip is syndicated in 50 alternative newspapers, translated into multiple languages, and collected into a book series with a quarter of a million copies in print. Utne magazine has listed DTWOF as “one of the greatest hits of the twentieth century.”
Her books and collections of some of her comic strips are available in English on Amazon. Some books have also been translated into German.
***
Note: All of these books are available at Amazon. Many which were by traditional publishers and small sapphic presses are available both directly from the publisher and at all other major retailers. Over time, we’ll add the top scoring books to this site with all purchase links from the publishers and all retailers, followed later by links to and/or pages for all of the other award winning books. This is a major undertaking as I do it all by hand. I wanted to get the list out to you as soon as I could. We’ve included the publisher information. Please shop for these bo wherever you feel comfortable.
The Amazon links here are affiliate links. We (this site/Erin and I) earn a small commission if you purchase a book. Those commissions help to defray the cost of maintaining this site and sending out the weekly newsletter.
The authors appreciate your support and we at MyQueerSapphFic do too! Thank you for reading and loving sapphic literature!
~Anne
Mystery Suspense Thriller Short Story Giveaway
Do you like your mystery, thriller, and suspense stories to have sapphic characters? If you do, and you haven’t heard about this giveaway yet, it’s your lucky day.
Seven authors, myself included (Anne here. Hi!) penned original short stories or novellas to give away for a limited time. The giveaway ends July 5th.
You can go right to the giveaway page here, or read on below for my brief review of each story. For those of you leaving, enjoy!
The reviews:
My own book in the giveaway is called, Hunting You Down. It’s suspense with a little bit of thriller rather than my usual mystery. I won’t review my own work, of course, but I will say this story was a departure from what I had planned…something my loyal mystery readers will benefit from later.
I started writing a short story for this months ago, when I first put the giveaway together. It quickly became apparent that my ‘short story’ was going to become novel length. It grew to over 30,000 words before I set it aside for later and started another short story featuring the detective character from the first story.
That second story got away from me too. You see, I don’t plot short stories like I (meticulously) plot novels. In fact, I don’t plot them at all. I just let them flow, and flow it did. So much so that 14,000 words in I was just getting started. That short story will now be a prequel novel for an all new series that will start coming out in 2025 and the original short story turned novel I started will be the first book in the series. Stay tuned!
I had to get completely away from my love of investigations to arrive at a true (and finished!) short story for this giveaway. I hope you like it. I’m interested in what you think about the ending. Love it? Hate it? Either way, I’d love to hear it.
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My good friend Barbara Winkes is one of the few people I know with a longer sapphic mystery/suspense/romantic suspense series than I have. Her Carpenter and Harding series is at 15 books. Plus, she’s started a couple of other series in similar veins too. She’s always busy writing and she has many, many books out and in the works, but she managed to contribute a story for each previous giveaway and now one for this one she’s contributed, Exes and Lies.
The story starts off seemingly tame, moves into suspense, then becomes a real thriller. The couple in the story? They have issues and needs only a full length book (or three) will resolve. Barbara really needs to add writing a book for this couple to her to do list…but it will probably be romance. Hopefully, the suspense/thriller days for Pax and Ashton end with this short!
In a total coincidence, which we had a back and forth email conversation about, Pax is the name of the detective in the mystery short stories turned novels I started a few months ago then set aside to publish in 2025. Small world. Great minds…pick your cliché!
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I admit to not having read any of Elliott Hay’s work prior to reading this short prequel story, Friends in Need, because there’s no mystery work released yet. I pre-ordered the first novel in her series (only $.99 right now) and I’ll read it when it releases July 11th. I’m looking forward to it. Elliott also publishes gender bendy Sci-fi as Si Clark.
This story is a great introduction to the ‘grannies,’ Madge, Peggy and Carole, and the hurting friend they try to help, Gertie. There’s a riddle in the names there that comes out in the story…but if you can’t glean it from what I’ve given you, you’ll have to read the book.
The premise is these friends have a little knitting club that meets at a café, and they murder people when necessary, only this time, murder isn’t an option because that might do more harm than good for Gertie. I love the premise for the series, and I can identify with the reason they can’t do what they would normally do in Gertie’s case…but I can’t tell you why I identify without giving a chunk of the plot away. Let’s just say, they come up with a unique solution to the problem.
Please be sure and read through to the acknowledgements portion of this short. You’ll get some insight into Elliott’s creation of the characters and the upcoming series.
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Ocean and I have been friends for a long time. Back in 2019, pre-covid, we sat down at the Pittsburgh GCLS conference and made plans to write a series together. Covid messed that all up and, it would seem, the time for the idea that was hot at the time has now passed. Maybe someday we’ll revisit it.
Ocean can be an enigma. She writes imaginative fiction (Lesbian Sasquatch, anyone?). She writes poetry. Mostly, she writes horror. It’s not blood curdling horror, but she sure knows how to give you the creeps.
Ocean participated in the first original short story giveaway we did. Her story was a little more horror than mystery or suspense, but you could definitely put it in the thriller category.
She’s back for our third giveaway and this time she’s written a full on suspense story with Skull Castle that will have you thinking everything is fine until about half way through. At that point, you’re going to think one character is nuts for doing the things she does, especially if you’ve read any of Ocean’s horror work, and you’re going to question the sanity of the other main character for going along with it. The payoff is worth it though. You’ll be shaking your head that you didn’t put it all together a lot sooner.
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Cade Haddock Strong, like Ocean, participated in the first original story giveaway and now she’s back for the third one. We’re happy to have her back too!
Cade’s story, An Uncanny Resemblance, has some themes that are similar to another story in this round of books. I don’t want to be a spoiler, so I’ll let you dear readers figure out which one…
One of the requirements of this particular giveaway, other than the story being either mystery, thriller, or suspense, is the story must be ‘sapphic.’ There is indeed a sapphic main character in this story, but her sexuality is not at all the focus of the story. That’s a constant debate among readers who lean more toward romance versus those who have a preference for mysteries and thrillers. Romance readers tend to feel overt/pervasive sexuality is what makes a book sapphic, whereas many mystery, suspense, and thriller readers don’t care to see it on the page unless it fits in the story. Those of you in the former camp will be disappointed with this story. The rest of you will enjoy it.
Cade has published six full length novels with Bella Books. You can see and purchase her work there or with most online retailers, including Amazon.
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Lori G. Matthews is new to these mystery, suspense, thriller promotions, and apparently to the genre as well. She’s previously published romance novels with Bella Books. Known for her romantic comedy, she brought those writing chops to this short, entertaining mystery, The Birder Murders.
In another round of ‘great minds think alike’ this story has a few things in common with Ocean’s story. It also has characters that are 40+ like in my story, though age doesn’t come out until well into this story. You’ll like these ladies. In fact, one of them finds herself liking the other in spite of herself.
If you’re into birds, this will be a great story for you. If you’re not, you’ll learn some new things, like the concept of a ‘big year.’ I had an inkling what it might be but I still looked it up! Google is your friend.
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Last, but by no means least, is a story from fairly new friend to me, someone I’ve come to know and worked with a little over the past year, Edale Lane, with Nefarious Intent. Edale has the same problem I do; she has trouble writing ‘short’ works. She tends to run long too. We almost didn’t get a story out of her for this giveaway and that would have been a shame.
Her story is reminiscent of a work by Barbara Winkes, Amber Alert, but it’s also very different. If you’ve read that, you’ll find some of the same themes running through this story. Too, the ending is similar, but also different. The investigator in Barbara’s story wasn’t sapphic but some victims were. Here, both sides are sapphic.
Like Barbara, I’d like to see Edale take two of these characters and carry on with them and that’s all I’m going to say!
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This giveaway runs through July 5th. After that, the authors can do with their stories as they wish. Some may continue to give them away. Some may not. Why take a chance?
GET ALL THE STORIES NOW